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	<title>Nicholas Galanin</title>
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	<link>http://nicholasgalanin.com</link>
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	<pubDate>Thu, 17 Jul 2008 02:21:59 +0000</pubDate>
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		<title>Northern Disclosure: Acquisitions of Contemporary Art in the Museum of the North Fine Art Collections, 2005-2008</title>
		<link>http://nicholasgalanin.com/news/northern-disclosure-acquisitions-of-contemporary-art-in-the-museum-of-the-north-fine-art-collections-2005-2008/</link>
		<comments>http://nicholasgalanin.com/news/northern-disclosure-acquisitions-of-contemporary-art-in-the-museum-of-the-north-fine-art-collections-2005-2008/#comments</comments>
		<pubDate>Thu, 17 Jul 2008 01:26:37 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://nicholasgalanin.com/?p=64</guid>
		<description><![CDATA[ 
Nicholas will have work in this upcoming exhibition.
Northern Disclosure: Acquisitions of Contemporary Art in the Museum of the North Fine Art Collections, 2005-2008 
 
EXHIBIT DATES: AUGUST 1 - AUGUST 31, 2008
OPENING RECEPTION: FRIDAY, AUGUST 1, 5-7 PM
FAIRBANKS ARTS ASSOCIATION BEAR GALLERY
3RD FLOOR, ALASKA CENTENNIAL CENTER FOR THE ARTS, PIONEER PARK, 2300 AIRPORT WAY
GALLERY HOURS: MON-SUN NOON-8 [...]]]></description>
			<content:encoded><![CDATA[<p> </p>
<p>Nicholas will have work in this upcoming exhibition.</p>
<p><span><strong>Northern Disclosure: </strong></span>Acquisitions of Contemporary Art in the Museum of the North Fine Art Collections, 2005-2008 </p>
<p> </p>
<p><strong>EXHIBIT DATES: AUGUST 1 - AUGUST 31, 2008</strong></p>
<p><strong>OPENING RECEPTION: FRIDAY, AUGUST 1, 5-7 PM</strong></p>
<p>FAIRBANKS ARTS ASSOCIATION BEAR GALLERY</p>
<p>3RD FLOOR, ALASKA CENTENNIAL CENTER FOR THE ARTS, PIONEER PARK, 2300 AIRPORT WAY</p>
<p>GALLERY HOURS: MON-SUN NOON-8 PM • OFFICE HOURS: MON-FRI NOON-6 PM</p>
]]></content:encoded>
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		</item>
		<item>
		<title>&#8221;Finding Common Ground in First Nations Art: Bringing Together Cultural Traditions and Creativity.&#8221; w/Nicholas Galanin, Nathan Jackson &#038; Marianne Nicholson; moderator: Aldona Jonaitis.</title>
		<link>http://nicholasgalanin.com/blog/finding-common-ground-in-first-nations-art-bringing-together-cultural-traditions-and-creativity-panelists-are-nicholas-galanin-nathan-jackson-and-marianne-nicholson-moderator-aldona-jonai/</link>
		<comments>http://nicholasgalanin.com/blog/finding-common-ground-in-first-nations-art-bringing-together-cultural-traditions-and-creativity-panelists-are-nicholas-galanin-nathan-jackson-and-marianne-nicholson-moderator-aldona-jonai/#comments</comments>
		<pubDate>Thu, 15 May 2008 09:19:02 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://nicholasgalanin.com/uncategorized/finding-common-ground-in-first-nations-art-bringing-together-cultural-traditions-and-creativity-panelists-are-nicholas-galanin-nathan-jackson-and-marianne-nicholson-moderator-aldona-jonai/</guid>
		<description><![CDATA[Northwest Coast Artists&#8217; Gathering June 3 - 4 JUNEAU, Alaska - The annual Northwest Coast Artists&#8217; Gathering is June 3 - 4 in the Old Armory.  The gathering is sponsored by Artstream Cultural Resources, Juneau Douglas City Museum and the Smithsonian National Museum of the American Indian. It coincides with Sealaska Heritage Institute&#8217;s Celebration [...]]]></description>
			<content:encoded><![CDATA[<p><span class="outsideText"><strong>Northwest Coast Artists&#8217; Gathering June 3 - 4</strong> JUNEAU, Alaska - The annual Northwest Coast Artists&#8217; Gathering is June 3 - 4 in the Old Armory.  The gathering is sponsored by Artstream Cultural Resources, Juneau Douglas City Museum and the Smithsonian National Museum of the American Indian. It coincides with Sealaska Heritage Institute&#8217;s Celebration 2008.  Day one offers a panel discussion, &#8221;Finding Common Ground in First Nations Art: Bringing Together Cultural Traditions and Creativity.&#8221; Panelists are Nicholas Galanin, Nathan Jackson and Marianne Nicholson; moderator: Aldona Jonaitis. Group art projects follow lunch.  The second day includes a PowerPoint presentation of attending artists&#8217; work, agency presentations on grants and other opportunities for artists, and a networking session.  Artists can bring their own pieces to show and work on, share materials, connect with artists and agencies, and build an artists&#8217; network.  Participation is free but limited to the first 150 people who register. Walk-ins will be permitted only if space is available. To register, visit www.artstream.net. </span></p>
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		<title>Nicholas Recieves Rasmuson Individual Artist Award for 2008.</title>
		<link>http://nicholasgalanin.com/news/nicholas-recieves-individual-artist-award-award-for-2008/</link>
		<comments>http://nicholasgalanin.com/news/nicholas-recieves-individual-artist-award-award-for-2008/#comments</comments>
		<pubDate>Mon, 12 May 2008 20:30:48 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://nicholasgalanin.com/news/nicholas-recieves-individual-artist-award-award-for-2008/</guid>
		<description><![CDATA[Six artists have been selected to receive $12,000 Fellowship Awards:

Carl  Battreall  , photographer (Anchorage).
Nicholas  Galanin  , multidiscipline artist working in performance art, video  installation, film, sculpture, painting and photography (Sitka).
Sonya Kelliher-Combs , visual artist working in mixed-media  creating two and three dimensional works (Anchorage).
Philip Munger  music composer (Wasilla).
Linda [...]]]></description>
			<content:encoded><![CDATA[<p><span class="bodycopy">Six artists have been selected to receive $12,000 Fellowship Awards:</span></p>
<ul>
<li><strong><a href="http://www.battreallphoto.com/" target="_blank">Carl  Battreall</a> </strong> , photographer (Anchorage).</li>
<li><strong><a href="http://nicholasgalanin.com/" target="_blank">Nicholas  Galanin</a> </strong> , multidiscipline artist working in performance art, video  installation, film, sculpture, painting and photography (Sitka).</li>
<li><strong>Sonya Kelliher-Combs</strong> , visual artist working in mixed-media  creating two and three dimensional works (Anchorage).</li>
<li><strong><a href="http://www.garageband.com/artist/knikphilharmonicorchestra" target="_blank">Philip Munger</a> </strong> music composer (Wasilla).</li>
<li><strong>Linda Smogor</strong> , photographer (Homer).</li>
<li><strong>Vladimir Zhikhartsev</strong> , plein air watercolor painter  (Fairbanks).</li>
</ul>
<p>Rasmuson Foundation<a href="http://www.rasmuson.org/PressRelease/index.php?switch=view_pressrelease&amp;iReleaseID=169">Link</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>I killed an Indian Today</title>
		<link>http://nicholasgalanin.com/gallery/i-killed-an-indian-today/</link>
		<comments>http://nicholasgalanin.com/gallery/i-killed-an-indian-today/#comments</comments>
		<pubDate>Fri, 25 Apr 2008 19:02:15 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[gallery]]></category>

		<guid isPermaLink="false">http://nicholasgalanin.com/gallery/i-killed-an-indian-today/</guid>
		<description><![CDATA[I killed an Indian Today:
I killed an indian, he was not so real
I killed him with my brown skinned hands
That indian was never worth a damn
when I killed him you all stopped to stare
I killed an indian to get ahead, its a trash fuck heap of a world he said …
I killed one indian but [...]]]></description>
			<content:encoded><![CDATA[<p>I killed an Indian Today:</p>
<p>I killed an indian, he was not so real</p>
<p>I killed him with my brown skinned hands</p>
<p>That indian was never worth a damn</p>
<p>when I killed him you all stopped to stare</p>
<p>I killed an indian to get ahead, its a trash fuck heap of a world he said …</p>
<p><span id="more-52"></span>I killed one indian but there’s more I swear</p>
<p>Its viral man they’re everywhere</p>
<p>My grandparents would be so proud, to know I killed one in this crowd</p>
<p>Indigenous to Hollywood, curated culture, lots of books</p>
<p>There was no pride in his death</p>
<p>no ceremonies or sacredness</p>
<p>I thought I told you he’s not real</p>
<p>I killed an Indian to live, to feel. </p>
<p>                                - Nicholas Galanin 2008</p>
<p> </p>
<p> </p>
]]></content:encoded>
			<wfw:commentRss>http://nicholasgalanin.com/gallery/i-killed-an-indian-today/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Upcoming Exhibition at Museum of Arts &#038; Design NYC Sept. 2008.</title>
		<link>http://nicholasgalanin.com/news/museum-of-arts-design-will-exhibit-second-lives-remixing-the-ordinary/</link>
		<comments>http://nicholasgalanin.com/news/museum-of-arts-design-will-exhibit-second-lives-remixing-the-ordinary/#comments</comments>
		<pubDate>Thu, 24 Apr 2008 23:13:53 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://nicholasgalanin.com/news/museum-of-arts-design-will-exhibit-second-lives-remixing-the-ordinary/</guid>
		<description><![CDATA[Nicholas will be art of a major group exhibition at the new Art &#38; Design museum in New York this September, 08.  Watch for upates.
NEW YORK CITY -  The Museum of Arts &#38; Design  will inaugurate its new home at Columbus Circle with Second Lives: Remixing the Ordinary, a special thematic exhibition featuring [...]]]></description>
			<content:encoded><![CDATA[<p>Nicholas will be art of a major group exhibition at the new Art &amp; Design museum in New York this September, 08.  Watch for upates.<span id="more-51"></span></p>
<p><strong>NEW YORK CITY - </strong> The <strong>Museum of Arts &amp; Design </strong> will inaugurate its new home at Columbus Circle with <strong>Second Lives: Remixing the Ordinary, a special thematic exhibition featuring 40 contemporary artists from 17 countries</strong> who transform discarded, commonplace, or valueless objects into extraordinary works of art. On view from September 2008 through March 2009, Second Lives includes new commissions and site-specific installations, created from gun triggers, spools of thread, tires, hypodermic needles, dog tags, old eyeglasses, and telephone books, among other manufactured and mass-produced objects.</p>
<p>“Reflecting the museum’s core mission of celebrating materials and process, <strong>Second Lives explores the creative approaches of contemporary artists who give existing objects new life and meaning by transforming them into compelling works of art,”</strong> said Holly Hotchner, Director of the Museum of Arts &amp; Design. “We live in a world populated, and sometimes overpopulated, with consumer products. These artists make magic using society’s castoffs and overlooked items. While the focus of the exhibition is neither on sustainability nor recycling, the works in the exhibition are a catalyst for thought and discussion about these issues. In addition, <strong>Second Lives is especially timely as the museum marks its own second life as a renewed institution and as Columbus Circle enjoys its own renaissance.” </strong></p>
<p><img title="Paul Villinski, My Back Pages, 2008, Vinyl records, wire, turntable, record covers,Dimensions variable.  Collection of the artist, Courtesy of Morgan Lehman Gallery, NY - Photographer: Les Christensen." src="http://www.artknowledgenews.com/files2008/PaulVillinksiMyBackPages.jpg" border="0" alt="Paul Villinski, My Back Pages, 2008, Vinyl records, wire, turntable, record covers,Dimensions variable.  Collection of the artist, Courtesy of Morgan Lehman Gallery, NY - Photographer: Les Christensen." title="Paul Villinski, My Back Pages, 2008, Vinyl records, wire, turntable, record covers,Dimensions variable.  Collection of the artist, Courtesy of Morgan Lehman Gallery, NY - Photographer: Les Christensen." hspace="20" vspace="10" align="left" /> Organized by Chief Curator David Revere McFadden and Curator Lowery Stokes Sims, Second Lives reflects a current interest among international artists in using ordinary objects as raw materials, an approach rooted in both Dada and Surrealism. The works on view bear implicit social commentaries and explore themes of power, politics, identity, and value. Moreover, each work remains faithful to the traditional standards of craftsmanship, seen in processes that include carving, cabinetmaking, appliqué, and collage.</p>
<p>“Our perceptions of objects as being functional or aesthetic, cheap or invaluable are directly challenged in the works on view in Second Lives,” said McFadden. “The 40 artists featured are working in ways that resist categorization and that further underscore a breakdown in the hierarchy that has traditionally separated art, craft, and design. Instead, these intricately crafted works reveal an intense engagement with ideas, meaning, materiality, and process.”</p>
<p>The exhibition will begin with a selection of works from the 1990s by Tejo Remy, Ingo Maurer, and the Campana brothers among others that provide an introduction to repurposing of objects in design. <strong>The exhibition traces the development of this concept through a group of works created within the past eight years by both established and emerging artists, </strong> including Therese Agnew, El Anatsui, Hew Locke, Devorah Sperber, Cornelia Parker, Xu Bing, Do-Ho Suh, Susie MacMurray and Fred Wilson, among others.</p>
<p>As the centerpiece of the museum’s inaugural exhibition program, Second Lives will be presented in MAD’s new special exhibition galleries on the fourth and fifth floors of its home at Columbus Circle. Also on view will be two permanent collection exhibitions, showcasing the most significant masterpieces from MAD’s distinguished holdings of more than 2,000 objects.<br />
<strong><br />
Second Lives will be accompanied by a 200-page, fully illustrated catalogue, </strong> which will include essays by MAD curators David Revere McFadden and Lowery Stokes Sims, and an introduction by Director Holly Hotchner. Individual biographical and critical essays on each of the 40 artists in the exhibition will be accompanied by full-color illustrations of their work. The catalogue is being designed by Pentagram design, and will be available through the Museum Store.</p>
<p><a title="link" href="http://www.artknowledgenews.com/Museum_of_Arts_And_Design.html" target="_blank" title="link">Link</a></p>
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		<title>New Mexico w/ Bunky Echo-Hawk &#038; Erica Lord</title>
		<link>http://nicholasgalanin.com/blog/speaking-at-the-university-of-new-mexico-soon/</link>
		<comments>http://nicholasgalanin.com/blog/speaking-at-the-university-of-new-mexico-soon/#comments</comments>
		<pubDate>Tue, 22 Apr 2008 04:13:46 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://www.nicholasgalanin.com/2008/04/08/speaking-at-the-university-of-new-mexico-soon/</guid>
		<description><![CDATA[The Art and Virtual Worlds Class and the Native American
Studies Indigenous Research Group present
three distinguished guest artists:
Bunky Echo-Hawk (Pawnee/Yakama)
http://www.nvisionit.org/
Nicholas Galanin (Tlingit/Aleut)
and
Erica Lord (Athabaskan/Iñupiaq)
http://www.ericalord.com/
UNM High Performance Computing Center
1609 Central Ave. NE (Near the intersection of Central
Ave. and University
Blvd. just of the Parking building)
12:30pm to 1:45pm
Free, open to the public
]]></description>
			<content:encoded><![CDATA[<p>The Art and Virtual Worlds Class and the Native American<br />
Studies Indigenous Research Group present<br />
three distinguished guest artists:<br />
Bunky Echo-Hawk (Pawnee/Yakama)<br />
http://www.nvisionit.org/<br />
Nicholas Galanin (Tlingit/Aleut)<br />
and<br />
Erica Lord (Athabaskan/Iñupiaq)<br />
http://www.ericalord.com/<span id="more-49"></span></p>
<p>UNM High Performance Computing Center<br />
1609 Central Ave. NE (Near the intersection of Central<br />
Ave. and University<br />
Blvd. just of the Parking building)</p>
<p>12:30pm to 1:45pm</p>
<p>Free, open to the public</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Peabody Museum recently aquired new work</title>
		<link>http://nicholasgalanin.com/blog/peabody-museum-recently-aquired-new-work/</link>
		<comments>http://nicholasgalanin.com/blog/peabody-museum-recently-aquired-new-work/#comments</comments>
		<pubDate>Sun, 13 Apr 2008 20:20:11 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://www.nicholasgalanin.com/2008/04/13/peabody-museum-recently-aquired-new-work/</guid>
		<description><![CDATA[Peabody Museum has recently acquired
Bear Mask Vol. 9
Paper: 1100 pages, human hair
6’’ x 8’’ x 4”
2006
for there contemporary permanent collection.
]]></description>
			<content:encoded><![CDATA[<p>Peabody Museum has recently acquired</p>
<p>Bear Mask Vol. 9<br />
Paper: 1100 pages, human hair<br />
6’’ x 8’’ x 4”<br />
2006</p>
<p>for there contemporary permanent collection.</p>
]]></content:encoded>
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		<title>Denver</title>
		<link>http://nicholasgalanin.com/blog/denver/</link>
		<comments>http://nicholasgalanin.com/blog/denver/#comments</comments>
		<pubDate>Tue, 01 Apr 2008 02:26:39 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://www.nicholasgalanin.com/2008/03/31/denver/</guid>
		<description><![CDATA[I will be in Denver for the weekend attending a very interesting artist symposium (see the news section on this site).  I have also posted new images from a photographic series I have been working on.  Check out the portfolio for more information.
]]></description>
			<content:encoded><![CDATA[<p>I will be in Denver for the weekend attending a very interesting artist symposium (see the news section on this site).  I have also posted new images from a photographic series I have been working on.  Check out the portfolio for more information.</p>
]]></content:encoded>
			<wfw:commentRss>http://nicholasgalanin.com/blog/denver/feed/</wfw:commentRss>
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		<item>
		<title>Where will we go?  New photo series available</title>
		<link>http://nicholasgalanin.com/gallery/no-indians-or-dogs-allowed/</link>
		<comments>http://nicholasgalanin.com/gallery/no-indians-or-dogs-allowed/#comments</comments>
		<pubDate>Mon, 24 Mar 2008 03:10:40 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[gallery]]></category>

		<guid isPermaLink="false">http://www.nicholasgalanin.com/2008/03/23/no-indians-or-dogs-allowed/</guid>
		<description><![CDATA[&#8220;No Indians or Dogs Allowed&#8221; Neon 2008
This is a sign created for my new photo series &#8220;Where will we go?&#8221;.  Please go to the portfolio to view more images.A limited edition of prints will be available for purchase.  For more information please contact the artist.

&#8230;on the No Indians or Dogs Allowed sign and Where will [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;No Indians or Dogs Allowed&#8221; Neon 2008</p>
<p>This is a sign created for my new photo series &#8220;Where will we go?&#8221;.  Please go to the portfolio to view more images.<span id="more-47"></span>A limited edition of prints will be available for purchase.  For more information please contact the artist.</p>
<p><img width="424" height="282" alt="wwwg4" id="image95" src="http://www.nicholasgalanin.com/wp-content/uploads/2008/03/galanin1.JPG" /><font size="3" face="Times New Roman" /></p>
<p><font size="3" face="Times New Roman">&#8230;on the No Indians or Dogs Allowed sign and Where will we go? series..</font></p>
<p><font size="3" face="Times New Roman">I have received strong and emotional response from viewers, this work is meant to evoke emotion.  Prescribing a contemporary medium (neon), the sign appears in a form we could imagine seeing today if this sort of anti-semitism persisted.  Bringing contemporary context to a familiar sight of the past (the old wooden signs with this text) might assist in translating the emotion and reality of a recent past.  I do not think of this work as a statement towards current racial issues though the viewer is opened to interpret this as they&#8217;d like. Does appropriation  of these sort of signs offer any resolve to an ugly part of the past?  I don&#8217;t think so.  They do however continue to remind us how far we&#8217;ve come as cultures living amongst other each other.  These images offer a setting of absurdity and contrast with both the meaning of the sign and use of neon in such environments (primarily my cultures indigenous land).  </font></p>
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		</item>
		<item>
		<title>In NYC</title>
		<link>http://nicholasgalanin.com/blog/in-nyc/</link>
		<comments>http://nicholasgalanin.com/blog/in-nyc/#comments</comments>
		<pubDate>Sat, 08 Mar 2008 19:46:59 +0000</pubDate>
		<dc:creator>nicholas</dc:creator>
		
		<category><![CDATA[blog]]></category>

		<guid isPermaLink="false">http://www.nicholasgalanin.com/2008/03/08/in-nyc/</guid>
		<description><![CDATA[I am in NYC for the opening of this show.
Native Voices - contemporary indigenous art
Opening reception: Saturday, March 8, 5 - 8 p.m..
five myles is located at 558 St Johns Place, Brooklyn, NY 11238
If you are in the area, please join us.
]]></description>
			<content:encoded><![CDATA[<p>I am in NYC for the opening of this show.</p>
<p><font size="4"><strong>Native Voices - contemporary indigenous art</strong></font><br />
Opening reception: Saturday, March 8, 5 - 8 p.m..</p>
<p>five myles is located at 558 St Johns Place, Brooklyn, NY 11238<br />
If you are in the area, please join us.</p>
]]></content:encoded>
			<wfw:commentRss>http://nicholasgalanin.com/blog/in-nyc/feed/</wfw:commentRss>
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